**Wurlitzer Phonograph Jukebox Advertisement – 1951**

'Among those whom I like or admire, I can find no common denominator, but among those whom I love, I can; all of them make me laugh.'
W H Auden

A few times a year I have lunch with five former colleagues. Old friends, we discuss developments in our home lives and careers; recent holidays and overseas adventures; contemporary politics, sport and culture.

We also spend a good deal of the afternoon reminiscing about work. We remember much-loved characters, amusing meetings and pivotal parties. We exchange anecdotes about heroic pitch failures, disastrous presentations and awkward interviews. We interrupt and undermine the narrators, pursue wild digressions and make approximate impersonations. We dispute the creative merits of the Surf Bubble Man.

'A day without laughter is a day wasted.'
Charlie Chaplin

Over the years our yarns have been embellished and exaggerated. The identities and roles of the protagonists have sometimes changed around. Occasionally I wonder whether we’re recollecting an actual event, or simply recalling the telling and retelling of the story.

And yet, with every recounting of a tale we laugh like drains.

Odd perhaps. We’ve heard all these stories before. Their twists and turns are well rehearsed. Their punchlines are entirely familiar.

We sometimes refer to this phase of the lunch as the Story Juke Box. Press the right buttons and out pops the anecdote. C37 The Big Table in the Big Restaurant. A11 The Graduate Trainee Pitch Presentation. E15 Pep’s Conversation with the Ambulance Man.

What’s going on? Why are we doing this? Why are we playing the same old tunes, over and over again?

'I don't trust anyone who doesn't laugh.'
Maya Angelou

The recently published book ‘Supercommunicators' by Charles Duhigg considers how NASA recruits astronauts for the International Space Station. Mindful that they need people who can get along with others for six months - in low gravity, high proximity and high stress – NASA’s psychiatrists pay particular attention to how the candidates laugh in interview.

They have established that less than 20 per cent of conversational laughter is elicited by humour; and that most laughs are prompted by social factors. They believe that this social laughter is a reliable indicator of how much prospective recruits are predisposed to emotional connection.

Some may regard humour in the workplace as unnecessary, unprofessional and distracting. But I always found it useful for dealing with setbacks and anxiety; for establishing shared values; for undermining pomposity and speaking truth to power.

'Laughter gives us distance. It allows us to step back from an event, deal with it and then move on.'
Bob Newhart

I suspect that when we veterans recount our yarns we’re really just signalling our ongoing emotional commitment to each other; reinforcing the ties that bind us together.

'There is little success where there is little laughter.'
Andrew Carnegie

Of course, there’s a concern that the Story Juke Box is pickling our relationships in the past. Restless Ben is always advocating new stories, proposing that we look to the future, focus on tomorrow.

I confess I tend to be the voice for nostalgia. I take a particular pleasure from ancient myths and golden memories. You can’t beat the old tunes.

'Don't play that song for me,
Because it brings back memories.
The days that I once knew,
The days that I spent with you.
Oh no, don't let them play it.
It fills my heart with pain.
Please, stop it right away,
Because I remember just what he said.
He said ‘darling’,
And I know that he lied.
You know that you lied.
You know that you lied, lied, you lied.’

Aretha Franklin, ‘Don’t Play That Song (You Lied)’ (A Ertegun / B Nelson)

No. 467

'The most wasted day of all is that on which we have not laughed.’
Nicolas Chamfort, French C18th Writer

At the end of Oxford’s Trinity term we would adjourn to the river to drink Pimms and watch rowing in the warm Spring sunshine. Rowing may not be the most thrilling spectator sport, but back then there seemed to be something inherently sophisticated and carefree about just being there.

A mate took along her Northern Boyfriend who was in town for the weekend, and we determined to position ourselves at the start of the race.

The competing eights were aligned along the bank in tense concentration. Young muscular men sat expectantly in their boats, wearing college colours and fixed grimaces. A senior gentleman with a military moustache and brightly tailored blazer stood over a small starting cannon at the river’s edge.

All was seriousness and silence. All was anticipation.

Suddenly the Northern Boyfriend shouted at the top of his voice:

‘Come on then. Mek us laugh!’

The mood was punctured, the concentration shattered. Some fell about chuckling, others were unimpressed. We adjourned to another vantage point.

Sometimes we imagine ourselves to be engaged in something really rather important; we take ourselves a little too seriously; we adopt airs and graces. Sometimes we deserve to be taken down a peg or two.

'A good laugh is the best pesticide.'
Vladimir Nabokov

The workplace in particular can become a breeding ground for pomposity and pretension, affectation and arrogance; a realm for desktop despots and new age Napoleons. A well-timed anecdote or cutting quip can act as a corrective. Humour punctures pretence, puts things in perspective. Humour speaks truth to power.

'Jesters do oft prove prophets.'
Regan, ‘King Lear’

Over the years I found that wit and wisecracks were not just a valuable antidote to office arrogance. They were also essential ingredients in a thriving company culture. I would often sustain myself through a boring meeting by noting down the absurdities of business-speak. My erstwhile colleague Ben would amuse participants in lengthy management awaydays by compiling a Top 10 list of bons mots and malapropisms. Sarah would turn the air blue with imaginative profanity. Gwyn would draw on his armory of pitch-perfect impersonations. Nick would relate shaggy dog stories of domestic disaster.

Comedy binds teams together, expresses shared values and helps us recover from disappointment.

'There's a lot to be said for making people laugh. Did you know that that's all some people have? It isn't much, but it's better than nothing in this cockeyed caravan.’
John L. Sullivan (Joel McCrea), ‘Sullivan’s Travels’ (1941)

Of course we need to beware of the ‘banter’ that excludes or marginalizes; that forces conformity and suppresses authenticity. We must recognize that some people aren’t natural storytellers.

'You have a wonderful sense of humor. I wish I had a sense of humor, but I can never think of the right thing to say until everybody's gone home.’
Irene (Carole Lombard), 'My Man Godfrey' (1936)

That qualification aside, I’d still maintain that a well articulated joke can express a company’s character and values better than any po-faced promise or purpose. Comedy can be a cohesive force, a statement of fellow feeling. Comedy creates culture.

Indeed I’m inclined to concur with WH Auden:

'Among those whom I like or admire, I can find no common denominator, but among those whom I love, I can; all of them make me laugh.'

'Oh, I hear laughter in the rain,
Walking hand in hand with the one I love.
Oh, how I love the rainy days and the happy way I feel inside.’

Neil Sedaka, ‘Laughter in the Rain’ (Neil Sedaka/ Phil Cody)

No. 216

The Story Juke Box: Recognising the Positive Power of Humour in the Workplace

‘Mek Us Laugh’: Comedy Creates Culture